PROJECTS
Several Eternities in a Day: Form in the Age of Living Materials
An Archetype of Touch, in the process of being made.
APR 5 – AUG 23, 2026
The Hammer Museum
Several Eternities in a Day: Form in the Age of Living Materials features twenty-two artists from North, Central, and South America who embrace the unpredictable nature of living materials. The exhibition considers ideas around materials as records of the living and repositories of cosmic memory, organic decay and transformation.
organized by Pablo José Ramírez, curator, with Jessi DiTillio, curatorial assistant.
photo by Kara Leigh Kirk
3.6.2026
15th Shanghai Biennale: Does the Flower Hear the Bee?
NOV 8, 2025 – MAR31, 2026
The Power Station of Art
Me At Marketis composed of two interdependent components: a vertical linen structure with dye-filled pockets, into which cochineal dye and lemon juice is poured, and a horizontal surface that receives the dye as it filters through. The alchemical interaction results in vibrant transformations of color, driven by shifts in pH levels. Me AtMarkethas evolved through a series of iterations that reinterpret its original form. By cropping the work into smaller, individual compositions–much like cuts of meat–it becomes possible for the piece to circulate within the art market. The act of cutting, reconfiguring, and redistributing the work has itself become the art.In this iteration for the Shanghai Biennale, I reimagine the linen component as a 100-foot scroll. Me At Marketcontinues to pose questions about authorship, integrity, and agency. The materials now include the surface of the walls within the space, as I perform the work.Its evolving nature makes the process of becoming the true essence of the work. This edition of the Biennale featured over 250 works by 67 individual artists and collectives from China and around the world.
Chief Curator: Kitty Scott
Co-curators: Daisy Desrosiers, Xue Tan
Curators: Long Yitang, Zhang Yingying
photo courtesy of The Power Station of Art